ID | Interpret | Skladba | Album | |
1. | Cate Marvin | QA Marvin Most Difficult Obstacle in becoming a Poet | From the Fishouse | |
2. | Carey Salerno | Carey Salerno Q&A on her greatest obstacle to becoming a poet | From the Fishouse | |
3. | David Roderkick | David Roderick on his biggest obstacle to being a poet | From the Fishouse | |
4. | Interpol | Obstacle 1 | Turn On The Bright Lights | |
5. | Interpol | Obstacle 1 | Turn On The Bright Lights | |
6. | Interpol | Obstacle 1 | Turn On The Bright Lights | |
7. | Interpol | Obstacle 2 | Turn on the Bright Lights | |
8. | Interpol | Obstacle 1 | Turn On The Bright Lights | |
9. | Interpol | Obstacle 1 | Turn On The Bright Lights | |
10. | Interpol | Obstacle 2 | Black Sessions | |
11. | Interpol | Obstacle 1 | Turn on the Bright Lights | |
12. | Interpol | Obstacle 2 | Black Sessions | |
13. | Interpol | Obstacle 1 | Black Sessions | |
14. | Interpol | Obstacle 1 | Turn On The Bright Lights | |
15. | Interpol | Obstacle 1 | Turn On The Bright Lights | |
16. | Electronic Press Kit | Obstacle | Racines Apports | |
17. | Interpol | Obstacle 1 | Turn on the Bright Lights | |
18. | Interpol | Obstacle 1 | Turn on the bright lights | |
19. | Interpol | Obstacle 1 | Turn On The Bright Lights | |
20. | Interpol | Obstacle 1 | Turn On The Bright Lights | |
21. | Interpol | Obstacle 1 | Turn On The Bright Lights | |
22. | Interpol | Obstacle 1 | Turn On The Bright Lights | |
23. | Interpol | Obstacle 1 | Turn On The Bright Lights | |
24. | Interpol | Obstacle 1 | Turn on the Bright Lights | |
25. | Interpol | Obstacle 1 | Turn on the Bright Lights | |
26. | Interpol | Obstacle 1 | Turn on the Bright Lights | |
27. | Combat Dave | Part Obstacle! | | |
28. | Claude Royet-Journoud & Keith Waldrop | La Notion d'Obstacle | Reading at the Ear Inn, New York, 11-3-84 | |
29. | Claude Royet-Journoud & Keith Waldrop | La Notion d'Obstacle | Reading at the Ear Inn, New York, 11-3-84 | |
30. | Mel Nichols | Turkey Bounce or, Obstacle Course #1 | Flarf Poetry Festival, Kelly Writers House, UPenn/February 8, 2007 | |